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Eenie Meenie

With Me
Album: MUSICBLITZ Exclusive
Genres: Alternative
Ex-Pixies drummer Dave Lovering anchors this alt-pop tale of unrequited love which manages to be both jangly and haunting at the same time.

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  When you spend your formative years listening to everything from the Sex Pistols to the Cocteau Twins, chances are you’re going to grow up to make music that’s, well, just a little bit different. Just ask Denise Siegel, EENIE MEENIE’s vocalist, guitarist and songwriter, whose diverse musical upbringing has resulted in the ingrained ability to create lovely pop songs with unsettling undertones.

EENIE MEENIE was born in 1995, when Denise showed some songs she’d been working on to her best friend, bassist Kendra Sparks. They met Natalie Wood, their original drummer, at a North Hollywood rehearsal studio; Natalie was actually playing bass at the time with another band down the hall, but liked the sounds that she heard coming out of Denise and Kendra’s space. Together, the three of them recorded EENIE MEENIE’s self-titled, six song debut EP; half of the songs were produced by Brad Laner of Medicine, while the other half were produced by Grant Lee Buffalo leader Grant Lee Phillips (who also happens to be Denise’s husband). The record was released in 1997 to rave reviews, and the band soon became a popular draw in the clubs of Silverlake and North Hollywood.

When Natalie vacated the drum stool to pursue other musical directions, Denise and Kendra enlisted the services of former Pixies drummer David Lovering -- who, coincidentally, had previously thumped the skins in Natalie’s pre-EENIE MEENIE project. Though the band has yet to release a follow-up to their first EP, Lovering’s estimable musicianship has taken Eenie Meenie’s live sound to a whole new level.

"With Me," a new track recorded exclusively for MUSICBLITZ, is a hushed and haunting tale of unrequited desire, laced with jangly guitars and bass lines that can only be described as "dignified." Most bands would find it difficult to make such a slow song sound cohesive, but Lovering’s gently dynamic drumming keeps it together, and Siegel’s nicely modulated singing keeps it interesting. Hopefully, we’ll be hearing more from them in the not-so-distant future.

 
 
  Dan Epstein  
  Dan Epstein is a Los Angeles-based journalist and pop-culture historian whose work has appeared in L.A. Weekly, BAM, Raygun, Guitar World and the Los Angeles Times, among other publications. His first book, Twentieth Century Pop Culture, was published in 1999 by Carlton Books.

 

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Those other reviewers are idiots. It *doesn't* have to sound like the Pixies. This is different. Diiferent isn't always bad. As for being slow, yes, but it lulls you without putting you to sleep. As for "unstructured" vocals, I have no idea what they are talking about. It is a pretty, lovely nice slow song.
Lisa

Its alright, but slow.
Keith

This track does *not* remind me of the Pixies. The vocals seem a bit unstructured, and not very appealing.
Keri

 
Over You by Magnet
Linger by Jonatha Brooke
Imitation of Life by R.E.M.
Heavenly by Grant Lee Phillips
Dear Deadly by Creeper Lagoon
Beautiful Believer by Bluebird
 

for Eenie Meenie
Eenie Meenie at Dungeon Kids
eyeballs (Pixies + side projects)

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