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Dee Dee Ramone

Bad Little Go-Go Girl
Album: MUSICBLITZ Exclusive
Genres: Punk
The force behind the Ramones returns to punk rockin' form with this high-octane barn-burner recorded exclusively for MUSICBLITZ!

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  What becomes a legend most? For punk godfathers The Ramones, it’s always been black leather jackets, raggedy jeans, and sneakers: straight out of a rock ‘n’ roll teen dream -- and a mother’s worst nightmare. That goes doubly for Dee Dee Ramone, the pioneering band’s original bass player. He’s mad, bad, and dangerous to know, the most uncontrollable, irrepressible member of the world’s most uncontrollable, irrepressible band.

Born Douglas Colvin in Ft. Lee, Virginia, Dee Dee grew up in Berlin, thanks to his dad’s Army career. His early musical heroes were the Rolling Stones and Jimi Hendrix, who inspired him to pick up a guitar at the age of 12. When he was a teenager, his family returned to the U.S., but his parents divorced. Dee Dee attended high school in Queens, NY, then held a series of jobs, including barber and post-office employee. He was working on a building site when he met John Cummings, a fellow fan of the New York Dolls and the Stooges. Together, they formed The Ramones, with Dee Dee as guitarist and lead singer, John (renamed Johnny Ramone) on guitar, Jeff Hyman (now Joey Ramone) on drums, and a bass player who only lasted through a few rehearsals. Dee Dee switched to bass, Joey took over as lead vocalist, and their manager Tommy Ramone hit the drum kit. Soon the quartet was playing every week at a new club on the Bowery called CBGB.

The Ramones were purist AM-radio freaks rocketing straight from Queens to the Lower East Side, jump-starting rock and roll along the way. Dee Dee, known for his prodigious interest in chemicals of all kinds, wrote gritty, autobiographical songs about drugs, hustlers, and New York City’s mean streets. By the end of 1975, The Ramones had signed to Sire Records. The band’s 1976 self-titled debut -- a four-chord blast of simple melodies and bubblegum lyrics -- cost a hair over $6,000 to make.

During America’s bicentennial summer, the Ramones toured England, where they massively influenced the burgeoning punk movement centered on the Sex Pistols. Dee Dee, impressed by the style of London’s punks, tried to cut and dye his hair, but the other Ramones wouldn’t let him. The next decade was a blur of recording, touring, and more touring. Ramones tribute bands sprang up from Sweden to Sydney. Eventually Dee Dee got restless; he explored other musical styles, even releasing a solo rap record under the name Dee Dee King. After 15 years and a dozen albums with the Ramones, Dee Dee felt that it was time to move on.

Though he continued to write songs for his old pals, new adventures beckoned: Dee Dee traveled around, living in Amsterdam and Argentina. In the early ‘90s, he formed a band, the Chinese Dragons, that released one single, “What About Me” b/w “Chatterbox.” His next project, Dee Dee Ramone I.C.L.C. (Inter-Celestial Light Commune) recorded an import-only album, I Hate Freaks Like You, in 1994.

After The Ramones called it quits in 1996, Dee Dee, C.J., and Marky formed a Ramones cover band called The Remains, with Dee Dee’s wife Barbara Zampini on bass. In ’97, The Remains recorded a live record at the Continental on St. Mark’s Place. The same year, Dee Dee published his autobiography, Poison Heart: Surviving the Ramones, and collaborated with the LA electronic band A Violent Life. More recently, Dee Dee completed his first novel, Chelsea Horror Hotel, excerpted on the official Ramones web site, www.officialramones.com.

Through the years, Dee Dee never lost his feel for the subterranean jungle. On two solo outings, Zonked! and Hop Around, he made music that was too tough to die. His latest recording -- with no less than Wayne Kramer of the MC5 on guitar -- is the raunchy rave-up “Bad Little Go-Go Girl.” It’s got all the punk-rock energy and heedless attack of classic Ramones. Lock up your daughters, and cock your guns: it’s time to rock, Dee Dee-style!

 
 
  Jackie McCarthy  
  Jackie McCarthy is the former music editor of Seattle Weekly, and writes about music and other topics for CMJ New Music Monthly, Seattle Weekly, and Resonance on paper, and CDNow and Wall of Sound on the web.

 

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you can tell by their`voice that they are old,throats soaked vith boose,and nikotin,burning
waqaxayaw

oi...oi..... i love you ramones this is My fucking & sucking suport
uki

For someone who was listening to the Ramones since before the begining. It is very easy to pinpoint where most of the Ramones songs came from. Dee Dee is a natural talent in the punk world of music. Some would say that he is nothing without the other three but,He is much, much more. Bad Little Go-Go Girl is soon to be a classic in the punk genere. Dee Dee proves once again that absolute talent is not required to write/perform good songs. Wayne Kramer of MC5 adds that punky distorted guitar sound that made the Ramones an American icon. over all Dee Dee's solo projects are a blast into the past with that same feel that was apparent in 1977-1980. At 41 years old I still crave the loud blistering sounds that I enjoyed back then and I thank Dee Dee for keeping it dirty and taking me home so to speak. I highly recomend Bad Little Go-Go Girl to all Ramone/Punk fans. You will not be disapointed...
John De Marco

more reviews
 
Hyperactive by The Donnas
Crawling Outta The Jungle by Wayne Kramer
400 Bucks by Reverend Horton Heat
 

for Dee Dee Ramone
All Music Guide: Dee Dee Ramone
Beyond the Ramones: Other Projects
Dee Dee Ramone News
Official Ramones Site
Ramones: The Band That Ate My Brain
Ramones 4-Ever

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